I’m an AEA stage manager based in NYC. Over the past decade my work has spanned five national tours, Off- and Off-Off-Broadway premieres, and new play development. Wherever the show is, the job is the same: a room that runs on time, a company that feels taken care of, and a show that lands the way the director intended.
Selected Work
Pandimia: Act of Gods
Stage Manager for the premiere of Jason S. Abrams’ new drama, a featured selection of the Midtown International Theatre Festival’s 2026 return season at the American Theatre of Actors.
Menopause The Musical 2
Stage Manager for GFour Productions’ North American tour, playing theaters across the US and Canada.
Cat Kid Comic Club: The Musical
Large-scale musical for young audiences based on the book series by Dav Pilkey. Toured 30 cities across the US and Canada.
"A colourful, boisterous, rambunctious musical — and you never want it to end."
— Toronto Star
El Otro Oz
Production Stage Manager for the national tour of the salsa- and merengue-infused bilingual reimagining of The Wizard of Oz — a New York Times Critic’s Pick — performed in English and Spanish.
How to Live
World premiere play by Mindy Pfeffer, directed by Jean Randich. Managed rehearsals and performances with an emphasis on accessibility for performers and audience.
"A meditation on grief, courage, and choosing life after insurmountable odds."
— BroadwayWorld
A White Man’s Guide to Rikers Island
Off-Broadway solo production exploring justice and incarceration. Produced by Without a Net Productions.
"With its commanding central performance, gripping story and accomplished presentation, A White Man’s Guide to Rikers Island is a rewarding experience."
— Darryl Reilly, TheaterScene.net
Other credits include Dot Dot Dot: A New Musical, Junie B’s Essential Survival Guide to School, and new play development across NYC. Full history on my resume.